This article contains the exercises of unit 2.4 of the English chapter “Who are you, little i?”. Who are you, little i?– All Exercise Solved, Class -12, New Course – 2078
Unit 2.4 Who are you , little i? (Poems)
Class 11 English Exercise
In terms of the central idea, this frame presents the close connection between nature and childhood. A child is very close to nature but as he grows up this connection is disturbed. A child is capable of perceiving beauty and astonishment in the world of nature. In terms of the context, the speaker remembers his childhood days when he as a child looked at the setting sun in November through the window.
In terms of rhyme scheme, we have abided in other words the first line rhymes with third-line the second rhymes with the fourth line, and so on.
Here, the poem begins with the poet’s question who are you, little i? He is not asking a question but remembering his childhood days. We also notice parenthesis in the second and sixth lines which is another characteristic of Cummings’ poetry. The first five lines resemble the poet’s childish days. He remembers his childish days when he was five or six and sitting nearby the window and looking at the sunset. Here the poet has used of small letter ‘i’ for two purposes, first of all, he has used the small ‘i’ for self-reflection or referring to himself as a child, and secondly, it shows the image of the poet indicated by the second line. He also used the semicolon between wind and at in the fourths line to suggest two different locations as inside and outside the window such as boy is inside the window and sun is setting outside it. Finally, the poem concludes with the statement that if the day has to become night this is a
Exercise: Question Answer Solutions
Understanding the text
Answer the following questions.
<![if !supportLists]>a. <![endif]>Who can be the speaker of this poem?
Answer: The speaker of this poem is the poet himself. Here in this poem, he has presented himself as a little boy recalling his childhood experience connected with nature.
<![if !supportLists]>b. <![endif]>What is “little i” doing?
Answer: ‘Little i’ is looking at the beautiful golden scene of a sunset from a window and feeling about the beautiful way of transforming the day into the night.
<![if !supportLists]>c. <![endif]>What can be the relationship between “little i” and the speaker of the poem?
Answer: The “little i” is the childhood of the speaker himself, and the speaker is the child grown-up. So we can say that the “little i” is the child version of the speaker.
<![if !supportLists]>d. <![endif]>What is the speaker remembering from his childhood days in the poem?
Answer: The speaker is remembering an extremely beautiful scene of nature from his childhood days in the poem. He is remembering himself as a little boy who used to enjoy the beautiful golden sunset and its transformation.
<![if !supportLists]>e. <![endif]>What attitude does the speaker seem to have toward the child in the poem?
Answer: The speaker seems to have a positive, nostalgic attitude towards the child. He feels a youthful presence in himself still now, which inspires him now to look out and enjoy the nature outside.
Reference to the context
<![if !supportLists]>a. <![endif]>Why do you think Cummings has placed a semicolon between the words window and at?
Answer: I think Cummings has placed a semicolon between the words window to provide a break in the long sentence while keeping the thought flowing. In such situations, a semicolon works stronger than a comma as in the present sentence structure.
<![if !supportLists]>b. <![endif]>If the speaker is the child grown up, why does he ask, “who are you”?
Answer: There is no doubt that the speaker is a child growing up. Still, he puts the question “who are you”. It may be because he is struggling to recall the wonderment of his youthful days. Or maybe, it’s his incredulity that there is still a youthful presence in himself enjoying nature.
<![if !supportLists]>c. <![endif]>In this poem, an adult reflects on the childhood experience. Based on that, what might be the theme of the lines:
“(and feeling: that if day / has to become night / this is a beautiful way)”?
Answer: Here, in these lines, we find the boy’s feelings about the beautiful scene of November’s golden sunset. He feels about the wonderful transition of nature i.e day to night. Thus, the theme of these lines might refer to death. It is a touchy way to describe an unwelcome transition from the joyful youth to the end of life.
<![if !supportLists]>d. <![endif]>What is the rhyme scheme used in the poem?
Answer: A rhyme scheme is the pattern of sounds that repeats at the end of a line or stanza. The rhyme scheme used in the poem is ABAB and CDCD.
e.Explain the pun in “little i” that is related to what he is doing.
Answer: A pun is the clever use of a word that has more than one meaning or a word that has different meanings but sounds the same. The pun in ‘little i’ indicates both a specific aspect of the poet’s personality, the childlike feeling of wonder, and seeing the world through the ‘eye’ of a child.
f. How does Cummings’s use of lowercase letters affect your understanding of the poem? Explain.
Answer: Cummings’s use of lowercase letters affects my understanding of the poem. He uses lowercase letters to emphasize his inferior feelings regarding his experience. He used to enjoy nature in his childhood full of happiness but now his adulthood worries have suppressed his joys and pleasures.
Reference beyond the text
<![if !supportLists]>a. <![endif]>How does nature inspire the speaker in “who are you, little i”? Explain.
Answer: Nature inspires the speaker a lot in “who are you, little i”. The beauty of nature has made him go back to his beautiful childhood experience. He finds himself as a little boy of five or six years old in his childhood. He used to look at the beautiful golden sunset and feels for the beautiful way of the transition of the day into the night.
<![if !supportLists]>b. <![endif]>Recall a childhood moment when you felt closely connected with nature. Describe the time and place as well as your feelings and thoughts about it.
Answer: I was born and raised in the busy city of Kathmandu. My father works there. I grew up amid the city, with little connection to nature. As I was about to take my school graduation exams my father announced that we would go to our native village on a long vacation. My happiness knew no bounds. It was like a dream coming true. Finally, I was in my native village. It was so different. Opposite the hustle and bustle of the busy city, it was so calm and tranquil. It was the first time I saw a milking cow.
Otherwise, I used to think that all products come from supermarkets or dairies. The next morning my grandpa took me to our paddy field. I was surprised to see the vast stretch of greenery. It was so different from the concrete jungle of the place where I live. The chirping of birds in mango groves was so sweet. It was not like a caged bird. I never knew before that winds can play so delightfully. There I learned how to connect with nature. I enjoyed sunrises and sunsets, which were always covered by the big buildings of my city. We stayed there for about a month. But I shall never forget my first introduction to nature.
<![if !supportLists]>c. <![endif]>Interpret the poem in any way you like.
Answer: This little poem is in the form of a dramatic monologue where he addresses his childhood. It opens in a nostalgic mood. Watching sunset through his window one evening, the speaker suddenly goes into flashback to when in his childhood he used to enjoy such natural scenes.
He asks his “little i” who he is. No doubt, the ‘little i’ is his childhood version (his childhood). It shows that although the worries of his childhood have kept suppressed his childhood pleasures, it is still there in some corner of his heart. That is the happiest thing.
As the poem proceeds, the mood changes from a nostalgic to a sad pensive one, when he talks about the passing days, indicating ‘death’. Here we find an unwelcome transition (change) from pleasing childhood to approaching death. But here again, he finds a beautiful way of approaching a dreaded finale (that is, fear of death).
By putting “i” with “little” he deemphasizes (minimizes the importance of) the self and promotes time.
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